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Tidal Wave II, 1978
enamel over 44 silkscreen gridded baked enamel steel plates, oil on canvas
144 x 103 inches

At the Lake, Morning, 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
77 x 197 inches
Anderson Collection at Stanford University

At Sea, 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
Collection of Komal Shah

Swimmers Lost at Night (for Tom Hess), 1978
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
78 x 317 inches
Collection of Museum of Modern Art, New York, NY

Swimmers, Atlanta, Bottle (L) and Seaweed (R), 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
Commission for the Richard B. Russell Federal Building & U.S. Courthouse, Atlanta, GA

Swimmers, Atlanta (Eel), 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
Commission for the Richard B. Russell Federal Building & U.S. Courthouse, Atlanta, GA

Swimmers in the Storm in Bartlett's studio, 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
55 1/2 x 95 inches

Sad and Happy Tidal Wave, 1978
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
172 x 129 inches
Collection of Museum of Art Dallas

Swimmers at Dawn, Noon and Dusk, 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
77 x 297 inches
Collection of the Walker Art Center, Minneapolis, MN
 

Swimmers and RaftsEllipse, 1979
enamel over silkscreen gridded baked enamel steel plates, oil on canvas
77 x 240 inches

Swimmers and Rafts, Jumbles, 1979
enamel over 50 silkscreen gridded baked enamel steel plates, oil on canvas
81 1/2 x 262 inches

Artist Bio

Jennifer Bartlett (née Losch; 1941–2022), was born in Long Beach, CA, studied at Mills College in California and graduated from Yale University before moving to New York City in 1967. Within her systematic and expansive painting practice, she consistently explored the environments she inhabited and, through multiple iterations of the same image or theme, exhausted their possibilities for representation. She was best known for her room-sized installations that explore landscaped such as houses, mountains, trees, gardens, and bodies of water.

Conceptual and novelistic, her work raises and revisits vernacular themes, while mathematics and conceptual games guided her creative process, often resulting in color indexes and grid-based patterns. Inspired by Minimalism, her artwork is often in series and oscillates between painting on steel plates and painting on canvas, occasionally combining the two. In addition to her lyrical conversations between mathematical abstraction and painterly iconography, the totalizing quality of her artwork touches upon many of the styles that she explored in subsequent bodies of work. Her exhibitions range from Abstract Expressionism to Minimalism to Conceptualism, some with elements of all three.

Jennifer Bartlett’s first retrospective was held in 1985 at the Walker Art Center, MN, and traveled to the Nelson-Atkins Museum of Art, Kansas City, MO; the Brooklyn Museum, NY; and the Carnegie Museum of Art, Pittsburgh, PA. In 2006, the Addison Gallery of American Art presented a survey of Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013–14, Klaus Ottmann curated her second traveling survey, Jennifer Bartlett: History of the Universe: Works 1970–2011, at the Pennsylvania Academy of the Fine Arts, Philadlephia, PA, and the Parrish Art Museum, Water Mills, NY. In 2014, the Cleveland Museum of Art united her three monumental plate pieces, Rhapsody (1975-76), Song (2007), and Recitative (2009-10) in the exhibition Epic Systems.

Bartlett’s works are represented in the collections of the Dallas Museum of Fine Arts, TX; Los Angeles County Museum of Art, CA; The Metropolitan Museum of Art, NY; Museum of Fine Arts, Houston, TX; Museum of Modern Art, NY; Philadelphia Museum of Art, Philadlephia, PA; San Francisco Museum of Modern Art, CA; Tate Modern, London, UK; and the Whitney Museum of American Art, New York, NY, among many others.

Locks Gallery has represented the artist for over 25 years.

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