Frank Stella Locks Gallery

Hacilar Level II, 2000
eurethane enamel epoxy on cast aluminum
89 x 84 x 34 inches

Frank Stella Locks Gallery

Hacilar Level IIa, 2000
eurethane enamel epoxy on cast aluminum
71 x 71 x 25 inches

Frank Stella Locks Gallery

Hacilar Level III, 2000
eurethane enamel epoxy on cast aluminum
92 x 136 x 16 inches

Frank Stella Locks Gallery

Hacilar Level IV, 2000
eurethane enamel epoxy on cast aluminum
102 x 136 x 32 inches

Frank Stella Locks Gallery

Hacilar Level V, 2000
eurethane enamel epoxy on cast aluminum
80 x 78 x 28 inches

Frank Stella Locks Gallery

Hacilar Level VI, 2000
eurethane enamel epoxy on cast aluminum
73 x 75 x 28 inches

Frank Stella Locks Gallery

Hacilar Level VII, 2000
eurethane enamel epoxy on cast aluminum
73 x 71 x 24 inches

Frank Stella Locks Gallery

Hacilar Level VIII, 2000
eurethane enamel epoxy on cast aluminum
85 x 120 x 14 inches

Frank Stella Locks Gallery

Hacilar Level IX, 2000
eurethane enamel epoxy on cast aluminum
82 x 120 x 13 inches

Frank Stella Locks Gallery

The Beggar Woman of Locarno, 2000
acrylic on canvas
130 x 228 inches

Frank Stella Locks Gallery

Quotations (from the Betrothal in Santo Domingo) ...an den Ufern der Aar (Weinberge), 1998
mixed media on cast aluminum
56 x 51 x 35 inches

Frank Stella Locks Gallery

Quotations (from the Betrothal in Santo Domingo) ...an den Ufern der Aar (Felder), 1998
mixed media on cast aluminum
48 x 50 x 27 inches

Quotations (from the Betrothal in Santo Domingo) ...an den Ufern der Aar (Garten), 1998
mixed media on cast aluminum
55 x 58 x 38 inches

Locks Gallery Frank Stella

Quotations (from the Betrothal in Santo Domingo) ...an den Ufern der Aar (Weisen), 1998
mixed media on cast aluminum
58 x 51 x 30 inches

Frank Stella Locks Gallery

The Monk and the Condemned Man, 1999
mixed media on cast aluminum
44 x 59 x 36 1/2 inches

Frank Stella Locks Gallery

The Betrothal in Santo Domingo, (in four parts), 2000
acrylic on canvas, each 120 x 120 inches

Frank Stella Locks Gallery

Bains-les Bains, 1999
cast and fabricated stainless steel
17 x 13 x 16 inches

Frank Stella Locks Gallery

Bourbonne-les-Bains, 1999
cast and fabricated stainless steel
14 1/2 x 14 x 12 inches

Frank Stella Locks Gallery

Contrexeville, 1999
cast and fabricated stainless steel
16 x 14 1/2 x 12 inches

Frank Stella Locks Gallery

Plombieres-les Bains, 1999
cast and fabricated stainless steel
14 1/2 x 14 x 12 inches

Frank Stella Locks Gallery

Contz-les-Bains, 1999
cast and fabricated stainless steel
11 x 16 1/2 x 13 inches

Press Release

Contemporary master Frank Stella will exhibit new work in a unique installation, transforming a 6,000 square-foot area on two floors of Locks Gallery. The exhibit of new paintings and sculpture will include a dramatic site-specific work encompassing the first floor gallery. Throughout his career, Stella has explored spatial relationships, first with paintings, later sculpture and recently architectural design. His new work is a reaction to architecture--both in the sense of creating planar structures and his tactile response to actual spaces. Stella’s fascination with architectural forms and structures grew out of several commissions and proposals he has worked on in Europe, Asia and North America.

Stella, one of the most influential artists of the postwar era, was born in 1936 and has had numerous retrospectives and solo exhibitions in the U.S. and internationally. His first retrospective was organized by MOMA in 1970, when the artist was 34. In 1987, MOMA organized a second retrospective–Stella being the only living artist to earn such a distinction. In 1996 the Museo Nacional Centro de Arte Reina Sofia, Madrid organized a traveling retrospective and other recent museum exhibits were held in Rome; Munich and Stuttgart, Germany; Osaka and Tokyo, Japan; and the Royal Academy in London. The National Gallery of Art in Washington commissioned a work by Stella for their new sculpture garden, which will go on display in October.

Click here for an NPR Fresh Air interview between Frank Stella and Terry Gross, recorded on the occasion of this exhibit

 

 

 

Back To Top